In 1991,
when comics writers Marvel Rob Liefeld and Fabian Nicieza imagined anti-hero
Deadpool popcornflix, they did not really understand that they had created a kind of
superheroic Frankenstein monster.
In the
Marvel team, Popcornflix Deadpool Movie, a former mercenary condemned by a blazing cancer and
saved by a mad scientist, has always been a head burn. Back from the dead, this
superhero with the same regenerative power as Wolverine is the only one to know
that he is only a character of comics. From then on, he evolves in a
meta-universe where his black humor, his cynicism and his violence allow all
winks. That's why the first adaptation, a sort of punk replay of the genre, was
able to surprise and entertain fans.
This
coolness is unfortunately absent from this second episode, where Ryan Reynolds
spends his time making a mockery of the very structure of a film of
superheroes, his codes, his backstage, his narrative grammar. Reynolds is
having fun. Josh Brolin cabotine super-bad come from the future, Cable. But as
Deadpool can not die, the stakes of the plot dwindle quickly. Too many
references kill the reference. Small anecdotal jokes turn quickly empty. Two
well-staged action sequences ensure the show. But the real problem remains: how
to be interested in a film that does not even believe in itself?
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